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Directing 13th Century Scottish epic “ Braveheart” may well have been the peak of his star power, and this fact explains not only the desire of the films backers to have the perma-tanned and not-especially-versatile Australian actor in the lead, but also how such a deeply, deeply silly film went on to win Best Picture and chow down more than $200 million worldwide.
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Tough as it is to imagine for anyone born after the eighties, there was a time when instead of being a reviled anti-semite and Hollywood pariah, Mel Gibson was actually one of the most high profile and bankable movie stars on the planet. By the end, the cop has his revenge, but any sense that it’ll change things is fairly unconvincing. And Lang, of course, directs the hell out of it, letting the corruption of an entire city (including the straight-arrow, but somewhat heartless Bannion) slowly bubble over. It’s now a generic tale sort of premise, and Ford’s charmlessness does the film few favors, but it’s also thrillingly intense, visceral stuff, with a level of violence that you’re surprised ever got past the Code, and a great femme fatale (one who causes the downfall of the villain, and herself, rather than the hero) in Grahame. His inquiries take a tragic turn when his car is blown up by the criminals, with wife Katie inside, causing Bannion to quit the department in order to bring the murderers to justice, with the aid of Stone’s girlfriend Debby ( Gloria Grahame). Glenn Ford stars as homicide cop Dave Bannion who, while investigating the death of a colleague, soon discovers how far the tendrils of the local mob, led by Mike Lagana ( Alexander Scourby) and Vince Stone (an early stand-out turn from Lee Marvin).
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Surprisingly few film noirs deal with revenge as a plot, and while 1953’s “ The Big Heat” has a more straightforward narrative than some of the crime pictures of the period (in many ways, it’s a forerunner to the contemporary action movie), stylistically Fritz Lang‘s film is very much of a piece with the classic film noir.
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New Movies: Release Calendar for May 13, Plus Where to Watch the Latest Films
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'Adventure Time' Is Slowly Going Off the Air, And Everyone's Moving OnĮmmy Predictions: Outstanding Supporting Actress in a Limited or Anthology Series or Movie IndieWire's Chief Film Critic Eric Kohn Picks the Best Movies of 2020 - Year in Review Or you could, you know, track us down to avenge your honor or something. We’ve tried to mix the essentials of the genre with some picks that might be less familiar to you, but we of course didn’t have space for everything, so let us know your own favorites in the comments section. And so with “Dead Man Down” hitting theaters today, we decided to delve into the history of vengeance in cinema, highlighting sixteen notable, revenge movies. Hell, some filmmakers seem to focus entirely on it (*cough* Quentin Tarantino). Of course, this is nothing new: revenge is one of the most common themes in cinema.